Saturday, March 18, 2017

THE DEVIL'S CANDY: Sean Byrne Interview


THE DEVIL'S CANDY: Interview with Director Sean Byrne

 

The Devil's Candy marks director Sean Byrne return to the Midnight Madness program. His first feature The Loved Ones was so beloved that it won the 2009 Midnight Madness People's Choice Winner. I recently spoke with Sean about his eagerly awaited sophomore film. -- Robert A. Mitchell

Your first film The Loved Ones had an amazing world premiere in 2009 at Midnight Madness. Could you share some of your memories from that night? How did that screening change your life?


It began as a blur of jet-lag and sleep deprivation and ended as one of the most vivid memories of my life. Making a film is a marathon. The pot of gold at the end of the rainbow is hopefully getting it in front of a big audience like at the Ryerson. The nerve-racking part is there’s no guarantee the audience will like it and all those thousands of hours that go into creating a film end up amounting to nothing more than egg on your face. So the way the audience embraced the film - screaming, cheering, wearing their heart on their sleeve - was so satisfying it’s hard to put into words. So much so I’ve been fighting to get back to Midnight Madness ever since.

As far as changing my life, the fact we won the Audience Choice award opened a lot of doors. It got me an Agent, countless meetings, and meant scripts were sent to me for the first time in my life. After flirting with various projects I ended up coming back to my own material because in the end I wanted to retain some sort of voice but thanks to Midnight Madness I suddenly had more than one avenue open to me.



I'm eagerly anticipating The Devil's Candy. What is the basic premise of the story? Where did the idea come from?


I don’t want to say too much because half the fun is in the not knowing! And The Devil’s Candy definitely has an air of mystery to it. I guess all I can say is it’s a haunted house movie about a father desperately trying to protect his daughter from the darkness in disguise. As for where the idea came from, I started wondering what’s the greatest disparity of power, the ultimate David versus Goliath battle in a horror context, and it seemed like child versus monster. After that the challenge became how to create a monster we haven’t seen before. There’s echoes of The Shining in terms of how a location can wreak havoc on the mind and also a hint of the Crossroads mythology: would you sell your soul for personal gain even if it meant jeopardizing the lives of those around you? 


What are some things you learned about film making from The Loved Ones? How did you apply this knowledge to your second film?


Prepare as much as you can then once the train leaves the station just hang on. Tackle one obstacle at a time and eventually you’ll reach the finish line. Surrounding yourself with the right producers and heads of department who not only share your sensibility but are also decent, passionate, supportive and great at what they do is also crucial. If you’ve got a good script or blue print, understand the tone of the film, do your best to communicate it clearly and work with the right people then you’ve at least got half a chance!



You have teamed up with producers Keith Calder and Jessica Wu of Snoot Films who  has a history with the Midnight Madness program producing You're Next and The Guest to name a few. How did their experience producing genre films aid the production of The Devil's Candy?

Keith and Jess have made sixteen films. I think The Devil’s Candy is their eighth film at TIFF. You can’t buy that kind of experience. You have to earn it and they have. So in a practical sense I felt in very safe hands. Everything is handled in a calm, methodical manner. But what was perhaps most rewarding was their ability to creatively align themselves with the film. We were all striving to make the same movie. As a writer/director I end up living with the material for an unhealthy length of time and to have producers who are able to remind you what was so exciting about the story in the first place is invaluable. They have strong commercial instincts but aren’t afraid to take risks because they understand horror, to avoid being predictable, sometimes needs to be dangerous, even taboo. And that’s where I live as a filmmaker so to share that ethos and have that kind of faith and support was incredibly helpful.


What kind of cinematic experience awaits the audience?


I wanted to pay homage to the classics of the supernatural genre - Rosemary’s Baby, The Exorcist, The Omen, The Shining - but with a distinctly modern sensibility. Like The Loved Ones, metal plays its part. In a perfect world The Devil’s Candy would lift the underground into the mainstream. We’ve been calling it a Doom Opera. I hope it creeps like death, sends chills then attacks the throat. I hope it feels like hell has risen.


From Sean Byrne how how to see The Devil's Candy this weekend:

Horror fans and metal heads of the USA, THE DEVIL’S CANDY releases tomorrow. If you want to fully experience the wall of dread closing in on you then see it in these theaters:
3/17/17 Arena Cinelounge - Hollywood, CA
3/17/17 IFC Center - New York, NY
3/24/17 Coolidge Corner Theatre - Brookline (Boston), MA
3/24/17 Gateway Film Center - Columbus, OH
3/24/17 SIE Film Center - Denver, CO
3/24/17 Alamo Drafthouse Mason Park - Katy (Houston), TX
3/24/17 Valley Art - Tempe (Phoenix), AZ
3/31/17 Alamo Ritz - Austin, TX
3/31/17 Loft Cinema Twin - Tuscon, AZ
3/31/17 Alamo Drafthouse Cinema Winchester - Washington, DC
4/14/17 Celebration Cinema Grand Rapids North & IMAX - Grand Rapids, MI
4/14/17 Celebration Cinema 11 - Mt Pleasant (Flint), MI
4/14/17 Studio C! Meridian Mall - Okemos (Lansing), MI
4/14/17 Celebration Crossroads 15 - Portage (Kalamazoo), MI
4/28/17 Guild Cinema - Albuquerque, NM

If it’s not playing at a theater near you then the Devil will visit your home on these digital platforms from tomorrow:
iTunes
Amazon
Sony
Google
Xbox
Vudu
Comcast
Cablevision
Charter
TW
Direct
AT&T

Originally Appeared 09/11/15 Midnight Madness Blog 

Thursday, March 16, 2017

THE BELKO EXPERIMENT Interviews with James Gunn, Sean Gunn & Greg McLean

                                       James Gunn speaks with Robert Mitchell

The Belko Experiment was one of my favorite films that premiered at the 2016 edition of Midnight Madness at the Toronto International Film Festival. I was able to speak with writer and producer James Gunn (Slither, Guardians of the Galaxy) actor Sean Gunn (The Gilmore Girls) and director Greg McLean (Wolf Creek, Rouge).


Sean Gunn sharing a laugh with Robert Mitchell




Director Greg McLean talks with Robert Mitchell


Monday, March 13, 2017

SPACE BABES FROM OUTER SPACE: TRAILER, POSTER AND BLURAY PRESALES LAUNCH


SPACE BABES FROM OUTER SPACE are arriving to planet Earth very soon! Here is the poster and trailer. The film is written and directed by Brian Williams (Time To Kill, Harvest Lake), Produced and Cinematography by Scott Schirmer (Found, Harvest Lake) and starring Ellie Church, Allison Maier, & Alyss Winkler. I also have an acting role in the picture. Here is the trailer:


Click HERE To Pre-order The Blu-ray!

Wednesday, March 8, 2017

RAW aka GRAVE Interview with Writer/Director Julia Ducournau

                                         Julia Ducournau in conversation with Robert Mitchell

To say that there was some commotion during the premiere of Raw at the 2016 Midnight Madness program would be an understatement. The film was extremely well received. Here is my interview with Julia Ducournau.

Wednesday, February 15, 2017

Toronto International Film Festival Midnight Madness 2016 Adventures: A Photo Essay

Robert and Sarah Mitchell attended the 2016 Toronto International Film Festival and returned to the red carpet at the Midnight Madness programme. Here is a photo essay of their adventures. All photographs by Ian Goring unless otherwise noted.

                                    Interviewing Sunny Pang & Iko Uwais at the HEADSHOT
                                                   World Premiere September 9th, 2016

Interviewing Chelsea Islan & Julie Estelle at the HEADSHOT
World Premiere September 9th, 2016

Interviewing Kimo Stamboel & Timo Tjahanto at the HEADSHOT
World Premiere September 9th, 2016

Speaking with James Gunn at THE BELKO EXPERIMENT
World Premiere September 10th, 2016

In conversation with Sean Gunn at THE BELKO EXPERIMENT
World Premiere September 10th, 2016

Speaking with Director Greg McLean at THE BELKO EXPERIMENT
World Premiere September 10th, 2016

Director Adam Wingard at BLAIR WITCH World Premiere
September 11th, 2016

Talking with Director/Writer Julia Ducournau at the RAW/GRAVE
International Premiere September 12th, 2016

Having a moment with Morgan Spurlock at the World Premiere 
RATS September 13th, 2016

Talking with Gemma Arterton at the North American Premiere
THE GIRL WITH ALL THE GIFTS Sept. 14th, 2016

Speaking with Director Colm McCarthy at the North American Premiere
THE GIRL WITH ALL THE GIFTS Sept. 14th, 2016

Interviewing Director André Øvredal at the World Premiere
THE AUTOPSY OF JANE DOE Sept. 15th, 2016

 Speaking with Screenwriters Ian Goldberg & Richard Naing
World Premiere of THE AUTOPSY OF JANE DOE

Sharing a laugh with legendary Writer/Director Paul Schrader
North American Premiere DOG EAT DOG Sept 16th, 2016

Film Geek/Interviewer Robert Mitchell shakes hands with legendary 
Writer/Director Paul Schrader

Screenwriter Matthew Wilder speaks with Robert Mitchell aka Mr. Blue
North American Premiere DOG EAT DOG Sept. 16th, 2016

Robert Mitchell somehow talks with vengeful spirit Kayako
SADAKO vs KAYAKO September 17th, 2016

Almost cursed by Sadako
SADAKO vs KAYAKO Sept. 17th, 2016


Sarah Mitchell Robert Mitchell on the Midnight Madness Red Carpet
September 16th, 2016

Sarah Mitchell, Robert Mitchell with photographer Ian Goring
Sept. 16th, 2016 Photo By: Dominik Magdziak

Robert & Sarah Mitchell arrive at TIFF 2016
September 8th, 2016 Photo: Random Volunteer  


Having a "Bro" moment with Jason Momoa at the World Premiere
THE BAD BATCH Screen Grab From Video Files

Film Festival Nights Selfie

"You Either Eat The Shark or the Shark Eats You"
Survived TIFF 2016

Tuesday, January 3, 2017

ROBERT MITCHELL'S VIDEO DIARY AT THE 2016 TORONTO INTERNATIONAL FILM FESTIVAL


As the new year begins here is a quick video diary looking back at my time at the 2016 Toronto International Film Festival and in particular the Midnight Madness programme. It was great to be back in the city and seeing so many friends from around the world. As always the whirlwind and the buzz of the film festival was an amazing experience!

Friday, November 4, 2016

DOG EAT DOG Paul Schrader, Matthew Wilder Premiere Interviews

                                  
                                     Paul Schrader being interviewed by Robert Mitchell


                                              Screenwriter Matthew Wilder interview

Dog Eat Dog the new film by Paul Schrader (writer of Taxi Driver, Rolling Thunder, Raging Bull) had it's North American premiere at the 2016 Midnight Madness programme at the Toronto International Film Festival. Robert Mitchell was at the premiere and spoke with Mr. Schrader and screenwriter Matthew Wilder who adapted Edward Bunker's book for the screen. Here are those interviews.