Friday, September 21, 2018
ASSASSINATION NATION Premiere Interviews: Odessa Young, Suki Waterhouse, Abra, Hari Nef, Coleman Domingo
Abra speaks with Robert Aaron Mitchell at the Assassination Nation Midnight Madness Premiere
Assassination Nation had a Midnight Madness at the Toronto International Film Festival premiere. Robert was on the red carpet and spoke with the great cast of the film, Odessa Young, Suki Waterhouse, Abra, Hari Nef and Coleman Domingo.
In this Salem-set thriller from Sam Levinson (Another Happy Day), four young women are accused of hacking and publishing their community’s private information, launching a proverbial witch hunt with very real consequences. A film that is very much rooted in our divisive times and our driving obession of our constant scrolling on social media. Here are the interviews:
Seen the movie? Learn more about how it was made with this Midnight Madness post-screening Q&A!
Wednesday, September 19, 2018
Midnight Madness 2018 Toronto International Film Festival Complete Play List: Jamie Lee Curtis, Peter Strickland, Vasan Bala and much more!
The 2018 Midnight Madness programme at the Toronto International Film Festival is a wrap! Here is the complete video playlist. Over four hours of every introduction, post-screening Q&A, the red carpet interviews as well as the surprises that happen at midnight! Is that Michael Myers or just a shape? A marching band?!?!
Monday, September 17, 2018
THE PREDATOR World Premiere Interviews Keegan-Michael Key, Boyd Holbrook, Augusto Aguilera, Thomas Jane, Larry Fong,
The 2018 Midnight Madness programme at the Toronto International Film Festival opening night film was The Predator. Directed by Shane Black and co-written by Shane and Fred Dekkar who also co-wrote the much beloved film The Monster Squad. Robert Mitchell was on the red carpet and spoke with actors Keegan-Michael Key, Boyd Holbrook, Augusto Aguilera, Thomas Jane and cinematographer Larry Fong.
Here is the complete world premiere introduction and post-screening Q&A
Sunday, September 2, 2018
Let The Corpses Tan is the latest film from Amer, The Strange Color of Your Body's Tears duo of Hélène Cattet and Bruno Forzani. Let The Corpses Tan is a fever dream piece of cinema. The film moves away from the giallo genre of their previous efforts and is a post "spaghetti western, euro crime" film conceived and executed as only Cattet and Forzani can, with spectacular visuals. Robert Mitchell was at the midnight madness premiere and spoke with Hélène and Bruno as well as actor Hervé Sogne. Here are those interviews.
The 2017 Midnight Madness at the Toronto International Film Festival closing night film was Sôichi Umezawa's Vampire Clay. Umezawa is a long time special effects artist and his feature film length debut as a writer and director was very much anticipated. The film did not disappoint. The film showcased excellent special effects as well as a nuanced story of what it means to be an artist. Robert Mitchell was at the premiere and here is the resulting interviews.
Friday, August 10, 2018
One of the great aspects of the Midnight Madness programme at the Toronto International Film Festival is the ability to showcase very independent films such as the art house horror film The Crescent. The story of the film is summed as, "After an unexpected death in the family, a mother and son struggle to find spiritual healing at a beachfront summer home." The film has exceptional visuals utilizing the art form known as paint marbling. The Crescent succeeds as it creates a slow, escalating dread as mother and son confront the dangers surrounding them. The son in the movie is the child of director Seth Smith and producer Nancy Urich who I spoke with at the world premiere as well as screenwriter Darcy Spidle, actors Danika Vandersteen, Terrance Murray, cinematographer Craig Buckley and production designer Paul Hammond.
Thursday, May 31, 2018
1) This is a great idea for a film festival. How did you come up with the idea to create the Toronto True Crime Film Festival?
It started with my excitement to see My Friend Dahmer at last summer's Fantasia International Film Festival. I was talking with my partner about it—and in general about how the true crime selections of any given film festival are always at the top of my list—on our annual five hour train ride to Montreal when I said, "Somebody should start a festival that's just true crime movies!" Then it all kind of went from there.
ABDUCTED IN PLAIN SIGHT (Opening Film)
2) What were you and the rest of the programming team looking for when selecting films to screen? The fest will be screening both documentary and fictionalized films based on true crimes. I was curious as to the decision to include both types of films?
When selecting films, the programming team was looking to put together a lineup that explored a variety of true crime topics and storytelling techniques. We wanted to make sure we weren't just focusing on violent crimes and serial killers, but also on white collar crimes, human rights violations, and everything else that falls under the crime umbrella. In the same vein, we wanted to make sure we weren't pigeonholing ourselves into being strictly a documentary film festival by showing fictionalized films based on true crimes and hosting symposium events. The true crime genre is made up of more than murder, and we wanted to show that.
MY NAME IS MYEISHA
3) What are the films that will be showing in this inaugural year?
For our inaugural year, we are are showing the International Premiere of Abducted in Plain Sight and the Canadian Premieres of My Name Is Myeisha, The Stranger, and Hostages, as well as a 15th anniversary screening of Patty Jenkins' Monster. On top of that we have five incredible short films preceding all our features: Maybe If It Were A Nice Room, Traffic Stop, The Sandman, 42 Counts, and Don't Be A Hero.
MONSTER (15th Anniversary Screening)
4) Another great aspect of TTCFF the symposium section. What are the topics and the speakers that will be participating?
We have three symposium events: "Why Do Women Love True Crime?", "LA Despair: Chasing Death with John Gilmore", and "The Rise Of The Armchair Detective". "Why Do Women Love True Crime?" will be a panel discussion featuring moderator Anne T. Donahue and speakers Keila Woodward, Karen Herland, Catherine Legge, and Rémy Bennett. "LA Despair: Chasing Death with John Gilmore" will be a multimedia presentation from Rémy Bennett. "The Rise Of The Armchair Detective" will be a panel discussion featuring moderator Naben Ruthnum and speakers Joshua Zeman, Christine Pelisek, Kevin Flynn, and Bek and Tyler Allen.
5) This being the first year for the festival, what where some of the challenges of putting together this undertaking? How did the organizing team overcome these challenges?
Oh, gee—what isn't a challenge in the first year of a film festival? Everything has to be done from scratch. Luckily for me, I have a number of friends and colleagues who are passionate about the project and who bring so much skill and knowledge to the table. With them on the team, we have yet to face a challenge we can't overcome.
6) Who are the team of people working behind the scenes on this project?
Besides myself, the TTCFF team consists of Film Programmers Claire Bonduro, Kier-La Janisse (who is also our Symposium Programmer), Steven Landry (who is also our Print Traffic Coordinator), Elizabeth Munro, Gina Rim, and Jeff Wright; Publicist Kaila Hier; Social Media Manager Siân Melton; Front Of House Managers Ali Chappell and Jordan Penny; Box Office Manager Andrea Ziedenberg, Volunteer Coordinator Chris Davies; Guest Coordinator Sara Scott; and the incredible staff at The Royal Cinema and The Monarch Tavern.
HOSTAGES (Closing Film)
7) How can folks acquire tickets/passes for the films and panel discussions? 15% of ticket sales will be going to charity, what organization(s) is TTCFF supporting?
Our full schedule and ticket information can be found at https://www.torontotruecrimefilmfestival.com/schedule-tickets/. We have several local charities in mind, but are respectful of the fact that not all organizations want to be listed in association with an event that focuses on the concept of true crime as entertainment. That being said, we are so excited to be able to officially and publicly support the Toronto Rape Crisis Centre/Multicultural Women Against Rape and the Christie Refugee Welcome Centre.