Showing posts with label Reservoir Dogs. Show all posts
Showing posts with label Reservoir Dogs. Show all posts
Sunday, December 8, 2019
[REVIEW] QUENTIN TARANTINO The Iconic Filmmaker And His Work by Ian Nathan
As the old adage goes, "One should not judge a book by it's cover" that went out the window when Ian Nathan's book on Quentin Tarantino arrived at my office. The book takes it's color scheme and font from Tarantino's Kill Bill complete with the image of Japanese steel from Okinawa. As if that wasn't stylish and striking enough the book also has a slip case. These stylistic choices are fitting for a book about one of the most stylistic directors to call out "action!" working today.
"I didn't go to film school, I went to films." - Quentin Tarantino
Anyone who has ever watched an interview with Tarantino can attest to, he talks in rapid fire encyclopedic cinema references with a lot of ego and is extremely quotable. Nathan's book excels at peppering the book with quotes. The above quote is the first sentences you read in the book and are located in the contents page. There are ten quotes in the contents page for the ten sections of the book and this cannot be a happenstance structure as it has long been mythologized that Quentin will craft ten films and retire from film making.
Speaking of mythology the first section in the book entitled Video Archives gets into the talking points about the Tarantino's beginnings. Nathan asks "Why is Quentin Quentin?" he then takes us on the journey from Tarantino's earliest years in Knoxville, Tennessee and the talk of his grandfather being a bootlegger to his growing up in the neighborhood of Torrance south of Los Angeles. As well as Tarantino's first jobs at the Pussycat Theater to Video Archives. The first chapter also details some of Tarantino's many cinematic and television influences.
Another standout chapter begins with another quote "I think of them as like old girlfriends..." and chronicles Natural Born Killers, True Romance, From Dusk Till Dawn. The trio of films that were written by Quentin. This trifecta of screenplays were originally written to be his first feature length effort film (My Best Friend's Birthday not withstanding and subsequently buried in the mythology surrounding Tarantino) Killers, Romance and Dusk help to cement Tarantino's place in early 1990s film and pop culture.
Ian Nathan's book is a glossy sprint through the films and influences of Quentin Tarantino. Film being a visual language Nathan and Tarantino's words are complimented with a beautiful collection of photographs from the Kobal archives throughout the book. Myself being married to an academic something else I very much appreciated is the fact that the many Tarantino quotes are backed by four pages of sources.
With Once Upon A Time In Hollywood arriving on home video as I write this Ian Nathan's book on Quentin Tarantino is a great look back for those of us who have fond memories of discovering Reservoir Dogs on VHS and have been anticipating new Tarantino films ever since. Quentin Tarantino The Iconic Filmmaker And His Work is also a great companion piece for film lovers who have discovered the films of Tarantino in the subsequent years.
You can buy Ian Nathan's book here.
Tuesday, August 30, 2016
EDWARD BUNKER: AMERICA'S GREATEST CRIME WRITER
“It took all the time in the world, six books that didn’t
get published, over seventeen years, before I got published. I believe in
perseverance above everything. Perseverance overcomes intelligence, overcomes
luck, overcomes everything. Perseverance wins.” -- Edward Bunker From The Good,
The Bad, And The Bunker
Grifter. Father. Armed Robber. Writer. Short Con Operator.
Actor. Convict. Screenwriter. Career Criminal. Redemption To quote the Kris
Kristofferson song The Pilgrim; Chapter 33 “He's
a poet he's a picker he's a prophet he's a pusher. He's a pilgrim and a preacher
and a problem when he's stoned. He's a walkin' contradiction partly truth and
partly fiction. Taking every wrong direction on his lonely way back home.”
For my money Edward “Eddie” Bunker is one of the greatest
American crime novelists ever. His art is one of the truest examples of the old
adage, “write what you know”. His works of literature span five novels No Beast
So Fierce (1973). James Ellroy had this to say about Bunker’s debut novel, “The most gritty and realistic novel about
armed robbery.” The Animal Factory (1977) Little Boy Blue (1981) Stark (2006)
and Dog Eat Dog (1995) which is now a film Directed By Paul Schrader and Starring
Nicholas Cage and Willem Dafoe and premiering at Midnight Madness this year.
There is also a short story collection Death Row Breakout and Other Stories
which was posthumously published in 2010. As well as an autobiography Mr. Blue:
Memoirs of a Renegade (1999) issued in the United States as Education of a
Felon (2000)
Well before Eddie Bunker was a writer he was a hardened
criminal. He was a short con operator who specialized in cons “The Match”, “The
Strap”, and “Laying The Note”. Bunker was a drug dealer and an armed
robber. He was once shot in a liquor
store robbery attempt. He also dabbled in extortion and forgery. “Do the crime,
do the time.” And Eddie served his. Eddie Bunker had the distinction in 1951 to
be the youngest inmate of San Quentin prison. In one of Bunker's brief sojourns on “the
outside” he befriended Louis Wallis who was the wife of Hal Wallis producer of
Casablanca, The Maltese Falcon. It was during this four and a
half year bid that Bunker would discover books and begin to write. While in San
Quentin the prisoner in the cell beside him Caryl Chessman was sentenced to
death row. Chessman had written a book entitled Cell 2455 Death Row about his
experience awaiting execution and a first chapter excerpt appeared in Argosy, a
pulp magazine. Eddie Bunker was doing a stretch in solitary confinement, "The Hole", where you were not allowed to read anything except the bible. Chessman
gave the Argosy pulp to Bunker to read and it was here Eddie had an epiphany, “It
blew my mind that a convict, much less one on death row (could write a book) and
that night all of a sudden it just came to me, “If he can do it, why can’t I do
it. I’m not facing the death penalty. I have all the time in the world.” Louis
Wallis sent him a Royal portable typewriter and a subscription to the New York
Times Sunday edition and Book Review. He sold his blood to pay
for postage to submit his manuscripts to dozens of magazines and publishers. During
a sentence in Folsom prison he would meet and befriend Danny Trejo. The two
would become friends who would later act together in films. By the time Eddie Bunker's time was all said and done Eddie would
spend eighteen years of his life incarcerated. Upon his release in
1975 he finally went straight and never looked back. He began to pursue writing
and acting full time.
In 1978 the adapted screenplay of his
novel No Beast So Fierce was released as Straight Time. The film directed
by Ulu Grosband would star Dustin Hoffman in the lead role; the film would also
mark Mr. Bunker’s first screen credit playing the character “Mickey”. Many
years later a young director would study this film at Robert Redford’s Sundance
Institute for Filmmakers. That director’s name, Quentin Tarantino. Tarantino
would cast Eddie Bunker in the role “Mr. Blue” in Reservoir Dogs. 1980
would see Bunker playing the character “Chadwell” in Walter Hill’s The Long
Riders It was in 1985 that Eddie would act in the film Runaway Train. Mr. Bunker was also one of the co-writers of the Runaway Train screenplay. The
film would see three Oscar nominations. Best actor Jon Voight. Best actor in a
supporting role, Eric Roberts and best film editing, Henry Richardson. Not bad
for a Canon film that was produced by Menahem Golan and Yoram Globus. All and all he would have close to thirty
screen credits. Some of his notable appearances include parts in Running Man,
Miracle Mile and Tango & Cash to name a few. It is said that Jon Voight’s
character in Michael Mann’s Heat was modeled after Eddie.
The novels and screenplays of Mr. Bunker are raw, visceral
experiences made even more poignant by the fact that he lived it. He confronts pain,
rage, race and frustration exactly how you think he would. Head on. The arc of
Edward Bunker’s life is a true testament of redemption and rehabilitation. Mr.
Bunker would pass away on July 19, 2005 at the age of seventy-one from
complications due to surgery. His books live on.
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