At the genesis of SALOUM, there is the meeting of my partner in crime Jean-Luc Herbulot. We both had a visceral need to create works in Africa, filled with heroes and monsters. It was what we craved as kids to see coming from African film, so we created it ourselves. During a trip to the Saloum region of Senegal in 2018, we wrote the short story “The Twilight of the Hyenas” an African western... a horror film... a fantastic epic... an ode to the imaginary world in which we would like to stay and a furious artistic deliverance rather than a desire to fill an empty box.
The movie was filmed in nature, mostly in the mystical and wild region of Saloum, Senegal where my journalist father had filmed wrestling matches more than forty years ago and where my mother still lives; on an island without cars, far away from all levels of city life.
SALOUM is the first feature film from LACME STUDIOS, co-constructed with the actors and technicians, day-after-day for five straight weeks - the epic adventure of a group living outside the comfort of their respective homes, much like the hero-mercenaries of the film itself. The absence of a network, the random supply of water, the regular silting up of vehicles... blood was shed along with tears. SALOUM is the result of the talents we gathered who were kind enough to follow us on this adventure.
The production of SALOUM was a natural shifting of gears, the result of adrenaline rushes, soul encounters, inevitable pains, loves, the divine and fears of emptiness ... a birth of a bloody new-born already adored by its parents.
"When you want to succeed as bad as you want to breathe ..." Eric Thomas recounts in his motivational speech, explaining how an old man kept his student's head under water, thus demonstrating the true meaning of the word "motivation.” This best explains why I believed in this film, why I expected it and why I didn’t hesitate to take the risk.
It’s important for me to release African artistic madness, so universal and yet so rare on international screens.
