SUPER MARIO BROS: Robert Aaron Mitchell Appears on the Bratt's Bin Movie Podcast

 

 

This marks my second appearance on the Bratt's Bin movie podcast. This time Jared Bratt, Carl Diamond and myself discuss the much maligned 1993 video game movie Super Mario Bros.

BROKEN ARROW: Robert Aaron Mitchell Appears on the Bratt's Bin Movie Podcast

 

 

Here is my first appearance on the Bratt's Bin movie podcast talking with Jared Bratt and Carl Diamond about the John Woo action extravaganza Broken Arrow.

TIFF 23: SLY - From Underdog to Hollywood Legend

 

In 1985 Sylvester Stallone had two of the top three highest worldwide grossing movies. Both sequels. Rocky IV and Rambo First Blood Part II. That is absolutely remarkable. As an actor Stallone has been ubiquitous for decades. What do we really know about Stallone the person behind the action movie icons. This is what Thom Zimny sets out to do in his documentary aptly titled, Sly. 

In the opening title sequence we see glimpses of Stallone's house. As ubiquitous as he is in movies and the popular culture, so to is his own image in his house. From action figures, to posters to statutes. We see the Academy Awards, snippets of the art collection, the scripts, the view from the Hollywood Hills. 

"It is really easy to become complacent." Starts of Sylvester says in the opening sequence of the documentary. He is in the midst of packing up his mansion to move back East to break up the feelings of dissatisfaction with the state of his current life. 

One of my favorite early sequences is of Stallone going back to Hell's Kitchen to reminisce about his New York City upbringing. Also when he is home watching movies and talking about the role models he found in film, James Cagney, especially Steve Reeves of Hercules fame.

Sly's childhood was transient and nomadic. He went throw thirteen schools in twelve years. It was the stage where he found home. He landed a role in Arthur Miller's Death of Salesman. A teacher told him he should pursue acting as career. Sly cites this as a moment that changed his life. Back in New York he was homeless and struggling to get any kind of role. The only thing he could get was off off Broadway. He started getting roles as thugs. 

Stallone started writing his own screenplays with John Herzfeld. Another life changing decision. Write out his frustrations and perhaps get somewhere. Every weekend he and Herzfeld started writing, writing, writing. He would break into to movie theaters all over the city to see films. 

I have never heard of the film Horses prior to this documentary. The premise of the movie now has me seeking this out immediately. A Cowboy and an Indian return from their graves a hundred years after they were hung. The cowboy's father was also reincarnated as a the sheriff he was to track them down. 

As far as documentaries go there is nothing about the technique or the choices on how to film the subject and the use of photographs and other visual media that is groundbreaking or innovative. As a viewer you are either a fan of Sylvester Stallone or you are not. That determines how much or how little you will gain from Sly and how much you will be entertained.

As I watched this documentary one of the most compelling aspects was sitting in a car, or walking down a sidewalk or sitting down and listening to Sylvester Stallone talk, reminisce and ponder his life. That is one of the paramount things we learn about Stallone in this documentary is how compelling, fascinating and - still to this day - we as an audience are drawn to him.

TIFF 23: FAIR PLAY - The corporate ladder is a treacherous, serpentine climb.

 

We meet Emily (Phobe Dynevor) and Luke (Alden Ehrenreich) at a party. They head to a public restroom to satisfy some immediate desires. Things start to get hot and heavy. Then Emily has a Carrie moment. Luke is covered in her menstrual blood. A moment later Emily asks Luke, "What is that?" He looks unsure, Emily is apprehensive. Director Chloe Domont holds the suspense. We then see a ring on the titled bathroom floor. Not just any ring, an engagement ring. This begins the movie Fair Play. 

"You're serious?" Emily asks. "Yes." "You're drunk" Emily says. "yeah but I was sober when I bought it. He then puts the ring on the wrong finger. "Looks like we are fleeing the scene of a murder." Luke jokes carrying Emily across the street. 

They both work in the same office building for the same company, Crest Capital and they feign that they know each other outside of work. A bunch of people are meeting to watch a video about workplace practices about sexual harassment, inclusion, diversity, conflict resolution. As the video starts a coworker int heir office has a melt down and takes out a golf club and starts wailing on the computer his desk over and over again. Someone poses the question, "Should we pause?" The person holding the remote cranks up the volume. This is clearly not a good workplace and no amount of work place training videos will right that. 

One man's downfall is another man's promotion. "How did I get so lucky?" Luke asks. "Are you talking about me, or your job" Emily queries. "Both" Luke smirks.  He goes on to elaborate that if he had to choose between Emily and the promotion he would choose...the promotion...just kidding. 

A late night call. A late night meeting. Emily gets in a car and heads to a bar. Someone is getting promoted. It just isn't Luke.

Phobe Dynevor and Alden Ehrenreich do a phenomenal job navigating the corporate finance world in which their characters navigate it's rewards and pitfalls. Together and alone.

The corporate ladder is a treacherous, serpentine climb. Perhaps made less perilous with a partner. Maybe. Or made just that more precarious. Ambition is it's own all consuming partner.

TIFF 23: DREAM SCENERIO - Has Nicolas Cage Been In Your Dreams Lately Too?

 

Nicolas Cage in an A24 film, that is definitely a film festival dream scenario. This week at the Toronto International Dream Scenario premiered. Cage is an actor that I will watch in anything. He makes the act of raking leaves fascinating. It also helps that a glass patio table inexplicably smashes to pieces by a pool.

Nicolas Cage plays college professor Paul Matthews. He is also the patriarch of a family of four.  He has also infused Paul with a nasally, whiny voice. Matthews has designs on being published, he just hasn't written anything yet. 

Paul meets a colleague to complain to her that she has taken his idea and is about to publish an article. He secretly records this conversation on his phone. Later is wife Janet (Julianne Nicholson) asks him how the meeting goes. He passes it off as a case of misunderstanding. Janet specifically asks Paul if he recorded the conversation. He answers that he did not, because it seemed unethical, even though he did indeed record the meeting. 

Paul and Janet run into one of Paul's old girlfriends who informs them that Paul has been showing up in her dreams lately. Paul doesn't do anything in the dreams. He is just there. Paul and his old flame meet up for lunch. She asks Paul if it okay to write about him in her dreams for an article that she is writing. 

Paul, average, plain, boring, not very memorable Paul keeps showing up in people's dreams. Paul checks his social media and receives over a hundred messages from people who claim he has has been in their dreams. What are the reasons? The Mandela effect in dreams, astral projection. Overnight Paul becomes a celebrity. He starts getting interviewed. His classes are packed with people.

Paul keeps showing up in dreams. People being stalked by a blood-covered killer. An earthquake. There is Paul walking aloofly amongst the surreal happenings. He just kind of bumbles into people's dreams and says nothing and does nothing.

The dreams keep happening. Paul's celebrity grows. The answers stay elusive.

I love surreal movies that play with the audience perception of what is real and what is imagined. Writer and Director Kristoffer Borgli delivers. The film has vibes of Being John Malkovich. Dream Scenario shines when the dreams of people are shown.

TIFF 23: PAIN HUSTLERS

 Pain Hustlers. What You Are About To See Is Inspired By A True Story. 

"Throw the first stone. Sure. But this is my story, and I did it for the right reasons." says Liza Drake (Emily Blunt) as the film begins. 

We meet Liza aka Destiny as a performer in a gentleman's club. She randomly meets Pete Brenner (Chris Evans)  She sizes him up. He informs the audience that Liza had a real gift at reading people and forty-five minutes later you were out two grand. Pete pleads with Liza to come work for him.

Destiny gets a phone call she has to go to school where her kids are acting up and setting a fire. Liza has even more problems on the home front. Her sister kicks her out of the house. She takes her kids and checks into a motel. Liza's life is falling apart. Her new neighbors gift her kids a juice a quilt and Liza a pair of earplugs. "Does it get noisy around here?" "Yeah" Motel transient noise, not very conducive for sleeping 

Late in the night Liza says out loud to herself"I will not give up on myself. I will not give up on my dreams. I will make my life count." The next morning she calls Pete about the employment offer he mentioned the other day.

Pete is a salesman. He is selling Lonafen a fentanyl medication.  Liza shows up to Pete's office. He grills her on her resume. He then asks for a Word file of it and then changes the entire resume.  Pete then introduces her to Zanna Therapeutics C.E.O. Dr. Neel (Andy Garcia). Liza gets the job.  

Liza is now tasked with "Invent a Doctor" which means she has to get one Doctor to prescribe the drug, write one script. She is now off to the races. Time to hustle. 

Pain Hustlers is a commentary on the for profit health care industry as well as the lengths companies and individuals in those companies will go to make money. A lot of money. Their gains are societies loss.

TIFF 23: WHEN EVIL LURKS - Even Evil Is Born

 

The Midnight Madness program at the Toronto International Film Festival has long been a showcase for the boldest, innovative, scariest, terrifying, look through your hands, blood-curdling horror of any given year. When Evil Lurks from writer and director Demián Rugna continues this tradition. 

Strange happenings begin to happen in a rural village. Two brothers come across a very disfigured, bloated, infected man in one of the houses. They decide to load him up in a pickup and drive him away from town. Somewhere along the way the body falls out of the truck. "Should we go back and load him up again?" "No, we gone far enough" Or have they?  

What sets When Evil Lurks is the brutality and banality of the violence. The violence is unexplainable. People are going mad. They then cause extreme violence to one another as well as the livestock of the village. Under Rugna's direction is shot selection is assured. He does not need to resort to shaky cameras or intense filters. The scenarios of horror and dread speak for themselves. 

There are many cliches when it comes to writing about horror films. What is seen cannot be unseen. The images will stay with you a long time after the end credits. Cliche as it is, with this film these sentiments are true. I hope no one gets possessed in your town.